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Det bliver en syret aften når amerikanske Earthless kommer forbi med deres primært instrumentale psykedeliske rock! CB3 fra Malmø sørger for opvarmning!
Earthless:
There’s an ancient Japanese legend in which a horde of demons, ghosts and other terrifying ghouls descend upon the sleeping villages once a year. Known as Hyakki Yagyō, or the “Night Parade of One Hundred Demons,” one version of the tale states that anyone who witnesses this otherworldly procession will die instantly—or be carried off by the creatures of the night. As a result, the villagers hide in their homes, lest they become victims of these supernatural invaders.
Such is the inspiration for the latest album from Earthless. “My son is really into mythical
creatures and old folk stories about monsters and ghosts,” bassist Mike Eginton explains. “We came across the ‘Night Parade of One Hundred Demons’ in a book of traditional Japanese ghost stories. I like the idea of people hiding and being able to hear the madness but not see it. It’s the fear of the unknown.”
Whereas 2018’s Black Heaven featured shorter songs and vocals from guitarist Isaiah Mitchell on much of the album—an unprecedented move for the San Diego power trio—their latest is a return to the epic instrumentals Earthless made their unmistakable name on. Night Parade Of One Hundred Demons is comprised of two monster songs—the 41-minute, two-part title track and the 20-minute “Death To The Red Sun.
“Originally, we were trying to figure out how to condense the title track so it would fit onto one side of an LP,” drummer Mario Rubalcaba explains. “But the more we kept playing, the more we kept finding different places to go with it. We eventually just decided to let it breathe and go long.”
The scenario that allowed for this kind of exploration was a stark contrast to that of Black Heaven. At that point, Mitchell was living in the Bay Area, which made it difficult for the band to get together and work on the type of long instrumental pieces they’re known for. But in March 2020, the guitarist moved back to San Diego. More specifically, he moved back the night the pandemic lockdown kicked in. Bad timing, perhaps—or maybe perfect timing.
“With Isaiah here, we were able to get together once or twice a week to work on these jams,” Rubalcaba says. “We got back to our original songwriting process of just playing and building off each other little by little. And we actually had the time to do that, which was creatively inspiring.”
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+ Support: CB3
From Malmö, CB3 (Charlotta’s Burning Trio) have supported bands like Monolord, Kikagaku Moyo and Hällas and have enchanted the stages of PLX festival, Stockholm Jazzfestival and Köpenhamns Jazzfestival with their expansively trippy, unapologetically eclectic, and explosive Space Rock.
The riffs are huge, even relentlessly chugging at times, the exploration is broad yet fully focused and we’re always brought back to the same deeply atmospheric destination, an oasis of highly considered, beautifully layered and infinitely gripping trip-Rock.
https://www.facebook.com/charlottasburningtrio
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